Reviews, Interviews, and Podcasts celebrating the best Extreme Metal music

Harsh Vocals – Episode 45 – Theatrics

For our forty-fifth episode, we decided to talk about theatrics and the role they play in metal performances. We discuss shocking performances and some unusual things we’ve personally seen, as well as how the general population views Metal. Of course we also talk about the best albums from yet another incredibly strong two week cycle!

We close out the show with an Extreme Submission from the Portland, Oregon Blackened Melodic Death Metal band, “These Cursed Hands”!

Check out their bandcamp at the link below:

https://thesecursedhands.bandcamp.com

If you have a band and would like us to promote one of your songs in our extreme submissions segment, please reach out!

We hope you enjoy the show! If you do, please leave us a review on your preferred Podcast app! Reviews help us build our audience and help us promote underground music!

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Songs in this Episode:

  • Turn Cold – Dog Bite
  • Torture Machine – A Call From the Void
  • Angrrsth – Prog
  • Enragement – Abyssal Hellscapes
  • Thorondir – Blut Und Ruhm
  • Les Batards Du Roi – L’Ame sans repos
  • These Cursed Hands – Extermination Revelation

Christian’s Honorable Mentions for this Cycle:

  • Voragoth – Storm Obey No Masters
  • Cruentus – End Without End
  • Horror Within – Soul Awakening
  • Necrotic Woods – Committed on Flesh
  • Ofermod – Drakosophia
  • Testament – Para Bellum
  • Ultra Raptor – Fossilized
  • Dead Heat – Process of Elimination
  • Haeresis – Si Vis Parem Para Bellum
  • Pandemic Outbreak – Torment Beyond

Justin’s Honorable Mentions for this Cycle:

  • Zero Degree – What We Become
  • Lycantrophilia – The Tyranny of Decay
  • Frosted Undergrowth – Unchained
  • Galge – D0DELIG
  • Terzij De Horde – Our Breath is Not Ours Alone
  • Scalding – Nuclear Winter Spell
  • Starer – Ancient Monuments and Modern Sadness
  • Wode – Uncrossing the Keys
  • Katakomba – The Second Death
  • Vials of Wrath – Remnants for Remembrance

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